Showing posts with label Mary Demuth. Show all posts
Showing posts with label Mary Demuth. Show all posts

Friday, July 01, 2011

The Muir House



The Muir House

By Mary DeMuth

Zondervan, July 2011

ISBN-13: 978-0310330332



Blurb for The Muir House:


'You'll find home one day. Sure as sweet tea on a hot afternoon.' Words from Willa Muir's sketchy childhood haunt her dreams and color her days with longing, regret, and fear. What do the words mean? Willa is far from sure. When Hale Landon places a ring on her finger, Willa panics, feeling she can't possibly say yes when so much in her past is a mystery. Bent on sorting out her history, Willa returns to Rockwall, Texas, to the Muir House Bed and Breakfast, a former funeral home. But the old place holds her empty memory close to itself. Willa's mother utters unintelligible clues from her deathbed, and the caretaker of the house keeps coveted answers carefully protected. Throw in an old flame, and Willa careens farther away from ever knowing the truth. Set in a growing suburb of Texas, The Muir House explores trauma, healing, love new and old, and the life-changing choices people make to keep their reputations intact.


Endorsements:

"Willa Muir is one of the strongest twenty-something characters in modern fiction. Her quest to reconnect with her past before embracing her future will resonate with anyone who has ever left loose ends untied. The Muir House is a fascinating coming-of-age tale with twists and turns that constant leave the reader wanting more. It is Mary DeMuth's finest work yet and it shouldn't be missed. Whether young, or young at heart, you will find yourself enraptured by Willa's determination to finally find home. In fact, this book just might lead you home too." Shannon Primicerio, author of The Divine Dance



"Mary DeMuth has once again captured my soul with a story that resonated long after I closed the back cover. DeMuth is a master at immersing readers in another world—one of hopes and fears and triumphs. She's done it again with The Muir House. Her finest novel yet." James L. Rubart, bestselling author of Rooms


one

Seattle, March 2009

In that hesitation between sleep and waking, that delicious longing for dawn to overwhelm darkness, Willa Muir twisted herself into the sheets, half aware of their binding, while the unknown man's face said those words again.


You'll find home one day.


She opened her eyelids, forced wakefulness, maligning sleep's lure. Her two legs thrust themselves over the side of the storm-tossed bed. Toes touched hardwoods, chilling her alert, finally. She pulled the journal to herself in the dusky gray of the room, opened its worn pages, then touched pen to paper. She copied the words as she heard them. The same sentences she'd written year after year in hopes of deciphering its message, understanding it fully. But they boasted the same syntax, the same prophecy, the same shaded sentences spoken by a dream man with a broken, warbled voice. A faceless man of the South, words erupting like sparklers from the black hole of Willa's memory.


Why couldn't she remember the man? Understand his cryptic message?


Something stirred then. A flash of recognition. Willa closed the journal, placed her pen diagonally on top, then curled herself into a sleep ball, covers over her head like a percale cocoon. She forced her eyes shut, willing her mind to remember the glinting.


There! Like an Instamatic from her childhood, the flashbulb illuminated a gold ring. The man didn't cherish it on his finger. He held it like a monocle, as if he could see through it clear to eternity. Through that ring, a circular snapshot of the man clarified. Though the rest of his face faded into blue mist, his eye, wrinkle-creased and wise, focused like an eye doctor's chart under the perfect lens. A crocodile-green iris circled a large black pupil, its whites streaked pink with lacy vessels. It winked at Willa, or maybe it merely blinked. Hard to decipher, looking at one eye. The eye held sadness and grace, laughter and grief — ​and an otherworldly hint of promise. Willa memorized that eye behind the gold ring.


But like every other snatch of Willa's memory from that vacant memory of a four-year-old, the eye vaporized.


So familiar.


Yet so unfamiliar.


Nearly the green of Blake's eyes so long ago, those bewitching, enticing eyes she'd made herself turn away from, breaking her heart. Shattering his.


She returned to her journal, sketching the ring, the hazy face. The muddy-green eye she highlighted with an olive pencil. Light played at the window shade. She tugged it down so it would fling ceilingward, which it did in flapping obedience. She opened the sash, ushering in Seattle's evergreen perfume. The crisp air stung her Southern arms with goose bumps as she inhaled its scent. Fifty-five degrees in the morning felt like ice to Willa, even now. But facts were facts: You just couldn't compare the air's pristine cleanness to the South's sometimes thicker-than-mud humidity. And if she could help it, she'd never breathe Texas again.


Mother made it quite clear. Not even Southern hospitality could woo Willa back, not with Mother's hateful words swirling through the heat.


Willa fingered Mrs. Skye's letter atop her pile of books. "Come home," the caretaker wrote, in plainer-than-plain English — ​dark blue letters on crisp white stationery. "I need your help remodeling the Muir House. Need your expertise. Besides, your mother needs you. She's fading as fast as the house's paint peels. It's time."


Willa shook her head in response. "No," she said to her room, her heart, her will. "I can't. Won't."


But something deep inside told her it was time to find home.


Willa folded Mrs. Skye's letter in half. Instead of quartering it and returning it to its envelope, she tore it into confetti. When she left the room, the confetti stuck to her bare feet.


Do not reproduce without permission.


Mary DeMuth

http://www.marydemuth.com

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Monday, January 04, 2010

Let Darkness Come

Angela Hunt

Hunt (The Face) whips out a shut-the-cellphone-off, cancel-all-appointments legal thriller whose surprise plot twist caroms out of nowhere. When Erin Tomassi is arrested for the murder of her husband, prominent Illinois state senator Jeffrey Tomassi, his powerful father arranges for Erin to be represented by inexperienced attorney Briley Lester. The defense seems hopeless: abused wife, her fingerprints on the murder weapon, no intruders. Even the opening description of the murder leaves the reader convinced of Erin's guilt. But once Hunt's sophistication with plot and character development kicks in, there is no escaping the notion that Erin is indeed innocent and Briley just might get her acquitted with a shocking and elegant final move. Readers will find the story gripping and compelling from start to finish. -Publishers Weekly

Available for purchase at your favorite bookstore or at http://www.amazon.com/.

© 2009, Angela E. Hunt Do not reproduce without permission


Slow Burn
By Mary Demuth

"A brave story, written in heart-wrenching, gorgeous prose." Tosca Lee, author of Havah

"Beautifully and sensitively written, her characters realistic and well-developed. Mary DeMuth has a true gift for showing how God's light can penetrate even the darkest of situations." - Chuck Colson

She touched Daisy's shoulder. So cold. So hard. So unlike Daisy. Yet so much like herself it made Emory shudder. Burying her grief, Emory Chance is determined to find her daughter Daisy's murderer-a man she saw in a flicker of a vision. But when the investigation hits every dead end, her despair escalates. As questions surrounding Daisy's death continue to mount, Emory's safety is shattered by the pursuit of a stranger, and she can't shake the sickening fear that her own choices contributed to Daisy's disappearance. Will she ever experience the peace her heart longs for? The second book in the Defiance, Texas Trilogy, this suspenseful novel is about courageous love, the burden of regret, and bonds that never break. It is about the beauty and the pain of telling the truth. Most of all, it is about the power of forgiveness and what remains when shame no longer holds us captive.